This cornerstone of Sacred Geometry represents the Divine panorama in the only way we can contemplate it with normal vision and awake thinking; it goes beyond all possible humanized and artistic representations, beautiful to look at, not infrequently stimuli of deep emotion, but in any case belonging to the earthly world.
THEORY is a binary code projection of the “Eye of Revelation”.
Unlike any other hermetic symbol, yantra or mandala, no human hand can correctly trace this diagram, whose composition even challenges the efficiency of an x64-based CPU.
Special routines only – in addition to the coveted procedural solution – allowed me to push the trim calculations digits up to an accuracy [or should I say approximation?] of hundreds of decimal places, in order to offer to those who intimately wish, to draw a perfect figure, but aiming to approach more balance as for proportions and harmony.
Yes, because this is precisely the second, increasingly surprising feature of the cosmic scheme: we don't deal with a single solution, but rather an indefinite series of possibilities and variations in internal proportions, as I have amply documented, provided that they respect the basic accuracy of the multiple intersections and of the triangles contact points.
However, I have introduced the dominant figure on several occasions since my first approach: that of the triangle attributed to the sectional profile of the Great Pyramid of Giza; in fact I would say that I started from there.
This, which has then become an increasingly widespread preference, is now a certainty for me after my recent insights into ‘essential geometry’ and the golden section, which inside or outside the pyramid have led me to propose/define as 'Divine' that majestic triangle whose measurement is in itself the maximum synthesis of Φ and guided me without a shadow of a doubt to re-definition of π and natural solution of squaring the circle.
As an effect of algorithms performed to directly plot and animate the figure in an intelligent means, regardless of the peripheral that hosts it, the continuous revolution activates its presence, not only visual, recalling the numerical-geometric formula that generates it, for which the final output is factual.
For this reason, the figure produced by the application radiates subtle and uninterrupted vibrations of its own, what a simple video that reproduces it – as in the background of this page – could emulate only at a reduced level, not being made up of interactive and effective logical tracks, as the result of mathematical vector functions running, but only by an unstable mass of pixels, ± stretched by the screen resolution.
The only purpose of its registration, obtained precisely from the working of the application that you can freely download, is to introduce via the background – albeit minimally – the functionality of the real 3D animation.
Everything else, of course, must be able to reflect in your mind and in the infinity of consciousness.
Nonetheless, there is a special way to meditate on it, suggested to me after years of repeated daily viewing for a few minutes, right at the beginning of 2024.
When observing the movement, concentrate only on it in such a way and to the point that you recall it as if off the screen, but expanding into your environment. Draw it towards you, and let yourself participate.
After the first few attempts you should feel the good effects.
– And now, some confidential notes
After almost neglecting this tool for years, leaving it to the probable interest of those who browsed the Italian website, for a couple of recent attempts I had the impression that it could not run under the new versions of Windows; but then I verified that it was enough to launch one of the rendering options provided by the quick menu (right-click) to see it work like 9 years before.
If anything, I receive tighter stresses to distribute it and make it usable, and I realize its value today much more than when I built it.
Maybe time is running out and we need it.
ISBN 978-88-904390-5-6
Was it a coincidence… but all this research of mine begun in 2003 started from looking into a now famous booklet, whose opening title was precisely
«The Eye of Revelation».
.
A diction this one original, certainly not accidental, but which in fact did not meet much luck, so much so that around 1945 it was adopted as the up-to-date title "The 5 Tibetan Rites", although in Tibet they did not know these, nor did they recognize them in any of their traditions. But this is the narrative.
Experimenting with its effective training, soon resulted into a clear first-person involvement, enlightening enough to induce me to work on an essay that would help understand the full range of its deep roots, followed by two or three websites (listed in the help[?] section) aimed at bringing to light certain esoteric assumptions of those ‘Rites’, little or nothing at all comprehended, despite the vast diffusion of this gift from Heaven.